Launched in 2010, Picturehouse Entertainment is the distribution arm of City Screen, the owner and operator of 21 Picturehouse Cinemas. Its theatrical releases to date include: My Afternoons with Margueritte; Cave of Forgotten Dreams; The Future; Romantics Anonymous; The Source; Electrick Children; The Bird; The Imposter and Liberal Arts.

 

Picturehouse Entertainment also distributes a wide variety of non-film content to cinemas around the UK. This includes live satellite transmissions of seasons from world-class arts organisations, such as the Bolshoi Ballet, Glyndebourne and the National Theatre. It has also distributed special one-off events, such as Stephen Fry’s talk, The Fry Chronicles, Jamie Cullum live at the Cheltenham Jazz Festival and Leonardo Live, which brought a preview of the National Gallery's blockbuster exhibition to the big screen.

 

Following its first live transmission to cinema screens, Amnesty International's Secret Policeman's Ball in 2006, City Screen harnessed developments in digital projection and satellite technology to pioneer the broadcast of alternative content in cinemas. It was the first to screen New York Metropolitan Opera productions in the UK, a programming strand that has proved extremely popular with audiences and is continuing to go strong in its sixth year.

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    Following his previous documentary ENCOUNTERS AT THE END OF THE WORLD, iconic director Werner Herzog once again takes us deep behind the frontier of an extraordinary place.
    Having gained unprecedented access through the tightest of restrictions and overcome considerable technical challenges, he has captured on film, with specially designed 3D cameras, the interior of the Chauvet Cave in southern France. This is where the world’s oldest cave paintings – hundreds in number - were discovered in 1994.

    In the mesmerising CAVE OF FORGOTTEN DREAMS, he reveals to us a breathtaking subterranean world and leads us to the 32,000-year-old artworks. In that deeply moving moment of encounter, we come face to face with pristine and astonishingly realistic drawings of horses, cattle and lions, which for the briefest second come alive in the torchlight.

    In true Herzogian fashion, his hypnotically engaging narration weaves in wider metaphysical contemplations as we learn more about the Paleolithic art and its creators. Through his understated and gently humorous voiceover, we are invited to reflect on our primal desire to communicate and represent the world.

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